Movement of the Mind: Forging New Paths on the Page with Caroline Bird

​Your mind wants to move, and the best thing a work of art can do is take your mind with it, moving somewhere you never expected to move.
— Anne Carson

​If a poem is the movement of a mind across a page, can we train our minds to move in specific directions and speeds? Can we write galloping-thought poems, circling-thought poems; poems that sprint between disconnected images, or stop for a long lunch halfway through? Poems that multi-task or deflect with a joke? In this masterclass, we’ll travel the winding roads that lead us to new poems and generate surprising new material.

​​​FAQ

• ​​​I'm unable to join live. Will the event be recorded?
  Yes! The event will be recorded and shared with ticket-holders via email the following day. You will have one month to watch the workshop before the recording expires.

• ​​​How can I participate during the event?
  You will be joining a Zoom Meeting for this event. We encourage you to have your camera on, but remain muted until prompted. We also recommend that you to come prepared with writing materials!

• ​​​I live outside the U.S. Can I still join?
  Yes! We have many international members in Sustenance. We'd love to see you there no matter where you're tuning in from.

​English poet and playwright Caroline Bird grew up in Leeds, the daughter of noted theater director and producer Jude Kelly. Bird’s first collection of poems, Looking Through Letterboxes (2002), was published when she was just 15. Her other collections of poetry include Trouble Came to the Turnip (2006); Watering Can (2009); The Hat-Stand Union (2013); In These Days of Prohibition (2017), which was shortlisted for both the T.S. Eliot Prize and the Ted Hughes Award; and The Air Year (2020). Bird’s work has been commended for her dexterous use of image, pun, and voice; poet Simon Armitage described Bird’s poetry as “spring-loaded, funny, sad and deadly.” Her poems have been widely anthologized, and in 2012, she was an official poet at the London Olympics. Her poem “The Fun Palace” is on permanent display at the Queen Elizabeth Olympic Park.

Bird is also a successful playwright. She was the youngest ever member of the Royal Court Young Writers Programme, working under the guidance of Simon Stephens. Her plays include the musical The Trial of Dennis the Menace, which debuted in 2012 in the Purcell Room at the Southbank Centre. She is at work on the book and lyrics for the musical for the Old Vic. Bird’s other plays include a new version of The Trojan Women for the Gate Theatre (2012), Chamber Piece for the Lyric Theater Hammersmith’s Secret Theatre season (2013), and The Wonderful Wizard of Oz for Northern Stage (2015). In 2013, Bird was shortlisted for Most Promising New Playwright at the Off-West-End Awards.

Bird’s honors and awards include an Eric Gregory Award, and she has twice won the Foyle Young Poet of the Year award. She won third prize in the Poetry London Competition in 2007 and the Peterloo Poetry Competition in 2004, 2003, and 2002. She has been shortlisted twice for the Dylan Thomas Prize, was a finalist for the Susan Smith Blackburn Prize, and was on the shortlist for the Shell Woman of the Future Awards. Bird teaches at the Arvon Foundation and is a writer-in-residence for First Story. She lives in London.