Portable Exhibition with 沈瑞筠
Portable Exhibition 是由艺术家沈瑞筠发起的移动展览项目。该项目将通过便携的方式，借助各种机缘在不同空间实施。以艺术作品为起点，小型聚会为形式，旨在通过面对面的接触，分享共同的经验，激发深入的思想交流与讨论。
“Portable Exhibition x 重音社”活动，源于沈瑞筠到访纽约的机缘。艺术家用登机行李箱从中国带来两幅近期创作的作品和一些手稿。从下午2点到6点，我们将在重音社准备桌椅与茶点，邀请观众与艺术家一同上手读画、讨论和聚会。观众将会获得一次和作品及艺术家零距离接触的观画经验。沈瑞筠的作品从自然中获取灵感，引导观众进入“游观”的忘我体验；探索保持个体独立并和环境同频共振的生活方式。艺术家也将分享她对自然的感悟，以及山水精神和中国传统文化中运动变化的世界观对当代艺术和文化的启发。
*请您回复并选择在下午2点、3点或4点任意时间到来。由于聚会采取流动的形式，您可以随时离开，如果您喜欢这个活动，也欢迎一直留到最后。欢迎加入讨论并结识新朋友。我们会根据报名人数调整时间并与你确认。
*欢迎参与者准备和自然相关的一件物件或一张照片、一段经历或文字，和大家一起分享
流程：
1，自助取茶，阅读项目介绍
2，加入聚会，看画，讨论
BIO
沈瑞筠是一名艺术家和策展人，现生活在广州和纽约。她的作品以绘画为起点，从自然中获取灵感，强调经验和过程。作品通过包括装置、动画和新媒体等多种媒介，以多维空间多重角度的认知方式；探索虚与实，精神和物质，日常与脱俗，个体与群体，规范和例外等矛盾双方随时转换和交织的状态。近年，她通过自留地项目实践把精神寄托于日常；保持个体独立并和环境同频共振的生活方式。
沈瑞筠2007年毕业于芝加哥艺术学院获绘画硕士学位。她曾获得Joan Mitchell Grant(2004), Camargo foundation（2008）和Japan foundation（2024）研究奖。 她的作品参加了第八届深圳水墨双年展（2013）和2013深圳·香港城市/ 建筑双城双年展以及第六届广州三年展（2019）；并被意大利国立二十一世纪美术馆、卡蒂斯特、广东美术馆、澳大利亚白兔美术馆、帝豪奇·德隆收藏馆收藏。
作为策展人，沈瑞筠策划了许多成功的展览，包括“留涟——皮皮洛蒂·瑞斯特个展”（2013）、“脉冲反应”系列（2012，2016）、并在纽约皇后美术馆策划的“政治纯形式！” （2014）。她还联合策划了第六届成都双年展（2013）。以中国园林为切入点研究中国文化的思想根源，传统文化对当代生活面临的困境的启示，及园林作为一种空间艺术转化到当代艺术中的可能，是沈瑞筠策展工作中的一个长期研究方向，她曾经策划《中日园林》（2015），《真山水与园林》（2016），《有我之境与无我之境——法国风景园林和中国园林中的自然》（2018），《象外之景——2018 OCT LOFT公共艺术展》（2018）以及《合意——中国园林中的人》（2020）等展览。
沈瑞筠曾是广东时代美术馆创馆 策展人（2010-2014）和首席策展人（2014-2017），卡蒂斯特（旧金山和巴黎）的中国项目总监（2017-2022）。
Shen Ruijun, artist and curator, currently works and lives in Guangzhou and New York.
Her works take painting as a starting point and draw inspiration from nature, emphasizing experience and process. Her practice covers a variety of media, including installation, animation, and new media. Through perceptions of multi-dimensional space and multiple angles, her works explore the state of instantly shifting and intertwining contradictions such as, the virtual and the real, spirit and matter, the quotidian and the demystified, the individual and the collective, the norm and the exception, etc. In recent years, she practices a way of life that endows the spiritual pursuit in the everyday through self-reserved land projects and maintains independently while resonating with the surroundings. Shen received her MFA in Painting from the School of the Art Institute of Chicago in 2007. She received Joan Mitchell Grant(2004) and research fellowship from Carmargo foundation ( 2008) and Japan foundation ( 2024). Her works were included in the 8th Shenzhen Ink Biennale (2013), the 2013 Shenzhen-Hong Kong Bi-City Biennale of Urbanism/Architecture, and the 6th Guangzhou Triennial (2019). They have been collected by MAXXI, Italy, KADIST, Guangdong Museum of Fine Arts, the White Rabbit Collection, Australia, and the Teirochi Deleon Collection.
As a curator, Shen Ruijun has curated many successful exhibitions, including "Gentle Wave in Your Eye Fluid-A Pipilotti Rist Solo Exhibition" (2013), the “Pulse-Reaction" series (2012, 2016), and "Polit-Sheer-Form!" at Queens Museum of Art, New York (2014). She also co-curated the 6th Chengdu Biennale (2013). Her ongoing research and curatorial direction include using Chinese gardens as an entry point to study the ideological roots of Chinese culture, traditional culture-inspired approach to addressing the dilemmas faced in contemporary life, and the possibility of translating the spatiality of gardens into contemporary art practice. Shen has curated four exhibitions about the garden, including ‘Chinese and Japanese Garden’ ( Guangdong Times Museum, 2015), ‘True Landscape and Landscaped Garden’ (Guangdong Times Museum,2016), ‘Presence and Absence—Nature in French and Chinese Landscape Gardens’ (Box Museum, 2018), ‘Consensus - Man in Chinese Gardens’ （Box Museum, Pingshan Art Museum, 2020) as well as public art exhibition ‘ Beyond the Scenery-2018 OCT-LOFT Public Art Exhibition’ (2018).
Shen Ruijun was the founding Curator (2010-2014)and Chief Curator (2014-2017) of Guangdong Times Art Museum, and the China program director of KADIST (San Francisco/Paris) (2017-2022).