Structure & Subtlety: the Split Complementary Palette (PDX edition)
Learn to sketch in an offbeat limited color palette which strays from literal representation, highlights a focal point and cultivates a mood.
This workshop begins with a primer in color theory, and then delves into a particular color relationship: split complementary. Using just three hues, students will learn to harness both strong contrasts and harmonious neutrals in a single image, creating both structure and subtlety in their sketch.
Students may use watercolors or mixed media. This is an ideal workshop for intermediate sketchers: those already familiar with shape, value, and how to draw on location.
Tickets are priced on a sliding scale - pay what you are comfortable with. There is a youth discount for folks under 22 years old. The group will be no larger than 12 people. The workshop will take place outdoors, barring severe inclement weather.
SUPPLIES
💠 At least 3 sheets of 5″ x 7” paper ~300gsm (140 lbs), lightly textured cold press or hot press (smooth). Loose sheets or sketchbook. Subdividing larger pieces of paper is OK.
💠 Watercolor kit or mixed media kit -- whichever you are more interested in, or bring both!}
〰️〰️Watercolor kit: paints, brushes (at least 3 different sizes – no teenytiny ones please), rag/paper towel, water cup, water.
〰️〰️Mixed media - bring a wide range of tools to have plenty to choose from. Include several neutrals(grays) and pastel/muted colors in addition to bright hues. See picture below for an example set.
💠 Pencil and eraser
💠 Optional things which might enhance your comfort:
〰️〰️ portable stool; sun hat; light jacket; sunscreen; sunglasses; comfortable shoes; board to brace paper/sketchbook on; water bottle; masking tape; viewfinder
ABOUT
Eleanor Doughty (pronounced "dow-tee") is an illustrator, painter, and urban sketcher originally from the Washington, DC area and is now based in Seattle, WA. Her work captures realistic subjects and imbues them with significance and character.
Eleanor has traveled internationally to teach art and to explore new locations through her practice of sketching. As a freelance illustrator specializing in location-based and large-scale works, her clients include QFC, Hilton, Thumbtack, and the Seattle Times.