Deep Fakes: A Critical Lexicon of Digital Museology
Gray Area and Swissnex invite you to Deep Fakes: A Critical Lexicon of Digital Museology, a talk by Prof. Sarah Kenderdine on the unstable boundaries between preservation and simulation in digital heritage.
Deep Fakes: A Critical Lexicon of Digital Museology explores how artificial intelligence, computer vision, and immersive media are transforming the ways we see and preserve cultural artifacts. Replicas are no longer simple copies but prompts that challenge our ideas of authenticity, originality, and permanence.
Through examples from sacred objects to digital surrogates of cultural icons, these technologies reveal patterns and details once invisible to the human eye, while opening new forms of engagement between object and observer. At stake are questions of memory, mimesis, and the politics of replication—especially in contexts where heritage is threatened by war, climate change, or cultural erasure.
As part of LAYERS, an event series by Swissnex in San Francisco exploring science communication, this lecture with Sarah Kenderdine considers how cultural “deep fakes” can act as both fragile copies and resilient reservoirs of memory, reframing the future of museums and the authority of truth in the digital age.
Speaker:
Prof. Sarah Kenderdine, Lead Laboratory for Experimental Museology at EPFL (École polytechnique fédérale de Lausanne)
About Gray Area
Gray Area is a San Francisco-based nonprofit cultural incubator, with the mission to cultivate, sustain, and apply antidisciplinary collaboration — integrating art, technology, science, and the humanities — towards a more equitable and regenerative future.
About Swissnex in San Francisco
Swissnex in San Francisco is an initiative of the Swiss State Secretariat for Education, Research and Innovation (SERI). Our vision at Swissnex in San Francisco is to connect tomorrow by empowering the next generation of innovators to collaborate and create futures where the planet and society thrive.
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