field:work | Poetry in Computation #02
What happens when we bring poetry and computation into conversation?
For the second edition of Poetry in Computation, writer and performer Cheyenne Alexandria Phillips joins us for an exploration of language, creative expression, and the possibilities that emerge when literary and computational practices intersect.
Drawing on the relationships between writing, technology, and artistic experimentation, the session invites participants to consider how computational tools and processes might offer different ways of approaching language, storytelling, and meaning-making.
Whether you’re a writer, artist, creative technologist, or simply curious about the spaces between these disciplines, come explore the possibilities with us!
About the Artist
Cheyenne Alexandria Phillips is a Singaporean writer, performer, educator, and Associate Artist with Checkpoint Theatre. Her practice explores the environment, culture, and identity through writing, performance, and interdisciplinary storytelling.
Her works include Vulnerable (2021), an eight-part podcast, A Grand Design (2020), an audio experience with Checkpoint Theatre, and For The Record (2017), a collaborative project combining spoken-word performance, exhibition, and publication. She is also the editor of singpowrimo.com, an online literary journal by Sing Lit Station.
Poetry in Computation is a series of artist-led sessions within field:work, exploring algorithms, generative language, and computational approaches to writing.